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Big shout out to all of you I dance with!
My New Year's resolution this year was to keep better dance notes, and I've been relatively consistent so far, although sometimes it's hard. The universe has a way of letting you know when your promises need to be kept though! I let Palika know about the note taking and she expressed interest in me sharing my notes with all of you and since she's retiring I do feel like I have to gather as much knowledge as I can. So, I'll be posting the notes from now on. I really hope they help you and I'm hoping you will all give me lots of good input about how I can flesh them out. If something seems vague it's probably because I'm not totally comfortable in understanding it yet, or I've done it for so long I don't think about it anymore. Either way I want to be able to develop a really sound dance vocabulary so that I internalize it better. Sometimes the notes might be quite skeletal, orthers will be expansive. So please give constructive criticism and ask questions and make observations, and join me in a dialog! I will probably make observations and note when I'm having a hard time with something too, I'm working at being more vulnerable when I don't understand something instead of working from a place of fear and insecurity. I'll try to send them out one at a time, so you'll be getting a bunch of micro-bursts of my notes from the last few weeks over the next couple of days.
I'll try to make directions as clear as possible. One of the things I've found useful is the following ballet site www.pbt.org/kids/positions.html It's a beginning ballet site an it shows photos of all of the different arm and foot patterns. It really helped me clarify what arm position I'm writing my notes about. I also recommend checking out the wikipedia ballet glossary, it's helped with foot pattern info in a pinch a couple of times. en.wikipedia.org/wiki/Glos...of_ballet.
Also, standard stage directions are useful: If you're standing on a stage looking out at the audience the front of the stage, closest to the audience, is down stage, the back of the stage is up stage. to your right is stage right, and to your left is stage left. If you envision the stage like a large square room that you're standing in, corner one would be the corner to the front and stage right, corner 2 would be the corner to front and stage left, corner 3 is the back left corner, and corner 4 is the back right corner.
I'm currently in Tuesday and Saturday Level 2 classes with Palika, and I also take classes from several other teachers locally and over the hill during the week. I will only post my notes for Palika's class on her tribe. But if you're interested in more I keep all of my notes for all of my classes on a livejournal. You'll have to friend me to see them because they're set to private, but I'd love it if you did!
It can be found here:
tribaljoycie.livejournal.com/
Big Hugs to all of you!
Joyce
My New Year's resolution this year was to keep better dance notes, and I've been relatively consistent so far, although sometimes it's hard. The universe has a way of letting you know when your promises need to be kept though! I let Palika know about the note taking and she expressed interest in me sharing my notes with all of you and since she's retiring I do feel like I have to gather as much knowledge as I can. So, I'll be posting the notes from now on. I really hope they help you and I'm hoping you will all give me lots of good input about how I can flesh them out. If something seems vague it's probably because I'm not totally comfortable in understanding it yet, or I've done it for so long I don't think about it anymore. Either way I want to be able to develop a really sound dance vocabulary so that I internalize it better. Sometimes the notes might be quite skeletal, orthers will be expansive. So please give constructive criticism and ask questions and make observations, and join me in a dialog! I will probably make observations and note when I'm having a hard time with something too, I'm working at being more vulnerable when I don't understand something instead of working from a place of fear and insecurity. I'll try to send them out one at a time, so you'll be getting a bunch of micro-bursts of my notes from the last few weeks over the next couple of days.
I'll try to make directions as clear as possible. One of the things I've found useful is the following ballet site www.pbt.org/kids/positions.html It's a beginning ballet site an it shows photos of all of the different arm and foot patterns. It really helped me clarify what arm position I'm writing my notes about. I also recommend checking out the wikipedia ballet glossary, it's helped with foot pattern info in a pinch a couple of times. en.wikipedia.org/wiki/Glos...of_ballet.
Also, standard stage directions are useful: If you're standing on a stage looking out at the audience the front of the stage, closest to the audience, is down stage, the back of the stage is up stage. to your right is stage right, and to your left is stage left. If you envision the stage like a large square room that you're standing in, corner one would be the corner to the front and stage right, corner 2 would be the corner to front and stage left, corner 3 is the back left corner, and corner 4 is the back right corner.
I'm currently in Tuesday and Saturday Level 2 classes with Palika, and I also take classes from several other teachers locally and over the hill during the week. I will only post my notes for Palika's class on her tribe. But if you're interested in more I keep all of my notes for all of my classes on a livejournal. You'll have to friend me to see them because they're set to private, but I'd love it if you did!
It can be found here:
tribaljoycie.livejournal.com/
Big Hugs to all of you!
Joyce
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Re: Hi All and notes!
Wed, March 5, 2008 - 12:10 PM2/5/08
Taxim work
Floreo arm pattern from Flamenco.
Start arms in 5th. shoulders back and down.
right hand comes across front of body and does a floreo at the left armpit, keeping the right elbow high, but with both shoulders still remaining back and down as much as possible. Head looks toward the right.
as right hand moves down, second floreo starts at roughly waist height, but instead of a quick follow through, the floreo drags out as you continue to sweep your hand up and into 3rd.
Another floreo at third, then arms continue back up to 5th. for the last floreo. Head faces forward.
then switch and repeat with left arm sweeping.
can also be done with one knee slightly bent, this emphasizes the line and looks very beautiful.
side bends with an arm pull, both with bent knee and without. and with shoulder roll and without.
alternating taffy pulling pose. Right knee moves forward, left knee locks straight, chest twists slightly forward (actually it's really that the left shoulder blade is moving back and down). The hands start flat and level at chest height, the right one pulls up as the thumb and middle finger draw together like picking up a tube of lipstick, the right arm continues to move up and past the right ear with the arm ending extended and the hand bent downward dramatically at the wrist with the the middle finger and thumb pointed toward the top of the head. meanwhile, the left arms is pushing through the wrist and the hand is moving into the same lipstick tube grabbing position as the elbow straightens and the arm ends fully extended with the elbow locked next to the body. The wrist remaining flexed and pushing through the heel of the hand. The hands then move back toward one another as the knee straightens. At this point the heel of the right hand pushes through as it comes down and the left wrist cocks as it comes up to meet back at the chest. elbows should remain high while the hands are in transit. But shoulders, as usual are back and down.
Snake arm prep.
shoulder rolls, down, forward, up, and back.
then alternating both shoulders at once, trying to be as smooth as possible.
cat paw arms keeping elbows tightly into body, but allowing hands to knead. pulling back with one hand, middle finger and thumb drawing together, while the other hand pushes palm out.
Reverse turn:
plant the right foot on the ball crossed behind the left, as closely as possible. Right arm gracefully straight up over the head, then turn, turning on the right ball and left heel, coming fully around to land in an opposite cross. While turning the right arm moves down the body, while the left arm moves up to end gracefully above the head, the opposite of the beginning arm position.
Taxim: out, up, down, over.
keep knees bent and pelvis tucked.
forward/back figure 8's. scoop right hip forward and around, then left hip. Can be done with a variety of arm positions. It looks very nice if you allow your upper body and head to lean in opposition, scooping out the same side hand and hip so that the side that your upper body is leaning to has an extended graceful arm.
Arabic 2: deep, deep, shallow, shallow. pelvis moves down, scoops forward, curls in, then releases.
3 arabic 2's, on the third one use the last shallow to switch weight while turning to the other corner, then execute 2 chest circles starting left, moving front, right, back.
body rolls moving forward with chest, up, back, and rolling down and releasing.
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Re: Hi All and notes!
Thu, March 6, 2008 - 9:23 PMHi Joyce
WOW! Good notes and some technical detail and nomeclature left out, but WOW and thankyou so so much. Is it possible to combine and post maybe every other week and combine classes for example?
One post tues wk1 and wk2, then another post sat wk1, wk2 and then two weeks later post tues wk3and 4 then another post sat week 3, 4,? I think it will be better for the tribe format and space considerations and time for you, so its not so much pressure and double posting as well. I think it would be preferable for me managing the site.
I wish every dancer was so committed and interested and I certainly am not judging anyone, but it really makes a teacher feel good, that someone cares so much besides her for all her work and details she shares. Thank you so deeply.
love palika -
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Re: Hi All and notes!
Fri, March 7, 2008 - 7:43 AMAbsolutely, I can post every other week, no problem. Like I said, please amend my notes if necessary, I'm here to learn.
Does anyone have any other requests or specifics they're interested in?
Ciao Ciao & Big Hugs,
Joyce
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